\version "2.8.1" \paper { between-system-padding = #1 ragged-bottom=##f ragged-last-bottom=##f } \header { title = "Cinq Préludes " subtitle = "Opus 16" subsubtitle = "-----" composer = "A. Scriabine (1872-1915)" opus = "Opus 16 n°3" instrument = "N°3" copyright = "Creative Commons Attribution-ShareAlike 2.5" % These are headers used by the Mutopia Project % http://www.mutopiaproject.org/ mutopiatitle = "Préludes opus 16" mutopiacomposer = "ScriabineA" mutopiaopus = "O 16 n°3" mutopiainstrument = "Piano" date = "composer's dates" source = "M.P.Belaïeff, Leipzig. 1897" style = "Romantic" copyright = "Creative Commons Attribution-ShareAlike 2.5" maintainer = "Philippe Hézaine" maintainerEmail = "philippe.hezaine@free.fr" lastupdated = "2006/May/02" footer = "Mutopia-2006/05/08-761" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2006. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } } } upper = \relative c'' { \clef treble \key ges \major \time 4/4 \once \override Score.MetronomeMark #'extra-offset = #'(12 . 2) \tempo4 = 63 \once \override TextScript #'extra-offset = #'(-10 . 2.2) r4^\markup { \bold "Andante cantabile" } ges'4^\( f bes, ces es des ges, as ces bes es, f ges bes as\) \break \tupletDown r4 r4 des ~ \times 2/3 {des4^\( ges,8} \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t \times 2/3 {ges8^. as^. bes^.} ces4 ~ \times 2/3 {ces8 bes as} \times 2/3 {des,8 ges f} \textSpannerDown \override TextSpanner #'padding = #1.9 \override TextSpanner #'edge-text = #'("cresc.") \times 2/3 {es8\startTextSpan f ges} as4 ~ \times 2/3 {as8 ges f} \times 2/3 {ges as bes\stopTextSpan} \break \times 2/3 {des des, es} \times 2/3 {des f' es} \times 2/3 {ges, des' es,} \voiceOne << { \times 2/3 {f as bes} | ges4\)} \context Voice = "1" { \voiceTwo ces,4 ~ | ces4 \oneVoice } >> 4^\( \break \) b'4\rest des ~ \times 2/3 {des4^\( ges,8} \times 2/3 {ges8^. as^. bes^.} ces4 ~ \times 2/3 {ces8 bes as} \times 2/3 {des,8 ges f} \textSpannerDown \override TextSpanner #'padding = #1.9 \override TextSpanner #'edge-text = #'("cresc.") \times 2/3 {es8\startTextSpan f ges} as4 ~ \times 2/3 {as8 ges f} \times 2/3 {ges8 as bes\stopTextSpan} \break \times 2/3 {des8 des, es} \times 2/3 {des8 f' es} \times 2/3 {des8 as' bes,} \voiceOne << { \times 2/3 {c!8 es f} | des4\)} \context Voice = "1" { \voiceTwo ges,4 ~ | ges4 \oneVoice } >> 4^\( \break \) b4\rest \times 2/3 {f'8^\( e! f} \times 2/3 {as8 ges bes,} \times 2/3 {bes8 c! es~} es2\) 4^\( \) b'4\rest \times 2/3 {bes8^\( a! bes} \times 2/3 {des8 ces! es,} \break \times 2/3 {es8 f as~} as2\) 4^\( \voiceOne << { 2} \context Voice = "1" { \voiceTwo ges4 f \oneVoice } >> 4 \) \revert TupletBracket #'transparent \revert TupletNumber #'transparent \tupletDown b'4\rest \times 2/3 {des8^\( es16 des es des} \times 2/3 {c!8 des ges,} \break \times 4/5 {ges16 f^. ges^. as^. bes^.} ces4 ~ \times 2/3 {ces8[ bes16 as bes as]} \times 4/5 {des,16[ bes' as ges f]} | \tupletUp \times 2/3 {es16[ f^. d!^. es^. f^. ges^.]} \override TupletBracket #'transparent = ##t \override TupletNumber #'transparent = ##t as4~ \times 2/3 {as8 ges f} \times 2/3 {ges8 as bes} \break \times 2/3 {des8 des, es} \times 2/3 {des8 f' es} \times 2/3 {ges,8 des' es,} \voiceOne << { \times 2/3 {f8 as bes} | ges4\)} \context Voice = "1" { \voiceTwo ces,4( | bes4) \oneVoice } >> 4^\( ~ \break \) 4^\( ~ \voiceOne << { des2\) des4 ~ | des4 des^\( s2 | s2} \context Voice = "1" { \voiceTwo f,4( ges) f( | ges) ~ ges2 ~ | ges2 \oneVoice } >> 2\arpeggio | 2\arpeggio^\fermata\) s2 } lower = \relative c { \clef bass \key ges \major \time 4/4 r4 \clef treble bes''4_\( as des, es ges f bes, ces es des ges, as bes des ces\) \clef bass r4 _\( \) _\( \) _\( \) _\( \) \clef treble _\( \) \clef bass _\( \) _\( \) _\( 2 4\) ^\( \tieUp ~ \) ^\( \clef treble \tieUp ~ \tieUp ~ \) \clef bass ^\( \clef treble \tieUp ~ \tieUp ~ \) \clef bass \voiceOne << {bes2 bes4~ | bes4 ces} \context Voice = "1" { \voiceTwo des,4( es) des( | es) \oneVoice } >> d2\rest d2\rest 2\arpeggio \arpeggio_\fermata s2 \bar"|." } dynamics = { s4\p\< s2. s1 s8 s8\! s8 s8\> s2 s2. s8 s8\! s1 s8\< s16 s16\! s8 s8\> s4 s8\! s8 s1 s4\mf \override TextScript #'extra-offset = #'(-2.5 . 2) s2._\markup { \italic \small dim. } s4 s2.\p s1*2 s8\< s16 s16\! s8 s8\> s4 s8\! s8 s1 \once \override DynamicText #'extra-offset = #'(-0.5 . 3.2) s4\mf \override TextScript #'extra-offset = #'(-3.5 . 2.5) s2._\markup { \italic \small dim. } s4 s2.\p s4 s4\< s4 s4\! s2 \once \override DynamicText #'extra-offset = #'(0 . 4.2) s4\mf \once \override DynamicText #'extra-offset = #'(-12 . -0.2) s4\p s8\< s8 s8\! s8 s4 s4\p s2 \once\override Hairpin #'extra-offset = #'(0 . 2) s4\< s4 s8 s8\! \once \override DynamicText #'extra-offset = #'(0 . 2) s4\p \once \override DynamicText #'extra-offset = #'(0.8 . 4.2) s4\mf s4 s8\< s8 s4\! s4 s4\p s8 \once\override Hairpin #'extra-offset = #'(0 . 0) s8\< s4 s4 s8 s8\! \once\override Hairpin #'extra-offset = #'(0.7 . 0) s4\> s2. s4\! \once \override DynamicText #'extra-offset = #'(0 . 4) s4\pp s2 s1 s2 s8 s8\< s8 s8\! \override TextScript #'extra-offset = #'(-0.5 . 2.5) s4_\markup { \italic \small rubato } s2 \override TextScript #'extra-offset = #'(-0.5 . 10.5) s4_\markup { \bold \small rit. } s4 s4\p s2 s1 s4 s4\pp s2 s1*5 } \score { \context PianoStaff << \set PianoStaff.instrument = \markup{ \fontsize #6 {"3."} \hspace #1.0 } \set PianoStaff.connectArpeggios = ##t \context Staff=upper \upper \context Dynamics=dynamics \dynamics \context Staff=lower << \clef bass \lower >> >> \layout { ragged-last = ##f \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-5 . 5) \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #5.5 } } } \score { \context PianoStaff << \context Staff=upper \upper %\dynamics \context Staff=lower << \lower %\dynamics >> >> \midi { \tempo 4=63 \context { \type "Performer_group" \name Dynamics } \context { \PianoStaff \accepts Dynamics } } }