About this work
Am Abend aber desselbigen Sabbats begins with an extended sinfonia, probably drawn from a lost concerto. Two oboes and bassoon converse with strings in concertante writing that establishes Easter evening without a chorus. The balance between wind group and string ensemble already forms the main dramatic concern.
The tenor recitative introduces an alto aria where two obbligato oboes surround the voice with calm motion. A bass recitative shifts the atmosphere before the more agitated soprano aria, then the tenor leads to the final chorale. The cantata thus moves from peace through threat to restored confidence.
In the sinfonia, treat the winds as an autonomous small ensemble and clarify their returns with strings. The alto should breathe with both oboes without broadening the tempo. The soprano aria needs livelier articulation, but its figures should remain grouped by phrase. The final chorale can conclude plainly without theatrical slowing.
What the document containsDocument: The document contains 28 pages in PDF format. No MIDI file is currently attached to this historical record. The PDF contains all seven movements, from the long instrumental sinfonia to the final chorale, without an opening chorus.The historical record marks the work and file as public domain but does not document the editor or exact provenance of this copy. The file preserved by LesPartitions.info can be compared with the reference catalogue. Following that check, LesPartitions.info separates established facts from information that remains incomplete.