About this work
This Fugue in B minor takes a theme associated with Corelli as its starting point and turns it into contrapuntal material for the organ. The subject’s long note values demand patient listening: its presence is conveyed by the direction of the line and its intervals, not by an added accent on every note.
Successive entries thicken the texture while more mobile counter-lines maintain motion. Episodes fragment the material and prepare cadences without erasing the theme’s gravity. The pedal part sustains this architecture over time; its notes need to be led as a voice rather than treated as static foundations.
Practise the subject alone in every register, then add one counter-line at a time. Check the releases of long notes and the dissonances before choosing registration. A stable sound, clear in the middle register and precise in the pedals, will help the polyphony remain traceable through the densest passages.
What the document containsDocument: The document contains 5 pages in PDF format. No MIDI file is currently attached to this historical record. The PDF contains the complete Fugue on three staves and identifies the theme attributed to Corelli in its title.The historical record marks the file as public domain but does not document the editor or exact provenance of this copy. The file preserved by LesPartitions.info can be compared with the reference catalogue. Following that check, LesPartitions.info separates established facts from information that remains incomplete.