About this work
Suonata terza, Fuga grave, adopts a measured subject and restrained pace. Voices enter one after another, then draw closer until they form chords that lend weight to the cadences.
Stepwise motion dominates, yet occasional leaps suddenly change the relief and harmonic direction. The bass moves with the other voices and should not be treated as a uniform pedal.
Practise at low volume first to hear the intervals. Sustain long notes through their resolution, avoid accents on every beat and build cadences through the voice leading.
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