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First page of Sonate n°4 - Fuga Cromatica

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Sonate n°4 - Fuga Cromatica

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Suonata quarta, Fuga cromatica, builds its identity from a subject compressed by semitones. Entries circulate this tension among registers while the other voices gradually complete the harmony.

Chromatic friction is not isolated ornament: it directs the replies and delays cadences. The form remains brief, yet every resolution distinctly changes the colour.

Practise voices separately while naming the semitones. Maintain a calm pulse, sustain dissonances through their resolution and choose a registration that does not thicken close intervals.

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