About this work
The fast runs derived from Chopin’s study can become uniform mechanics. Brahms shifts the stresses and thickens selected points of the harmony; those inflections need to remain audible beneath the continuous motion.
Group notes around their arrivals rather than counting them one by one. Forearm rotation and prepared fingering will help the hand cross changes of position without unwanted accents.
Begin at a moderate dynamic to hear genuine evenness. Speed can follow, but the bass and melodic peaks must continue to shape a recognisable phrase.
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