About this work
The two gigues share the energy of an upbeat, yet their gait is not identical. One advances through connected lines and replies, while the other gives greater relief to rhythmic outlines; comparison clarifies their articulation.
Play the bass of each piece first together with the arrival notes. It reveals where the dance finds support and prevents the right hand from turning the motives into mere decoration.
Choose a speed at which the voices remain distinct. Discreet pedal may support a cadence, but clarity comes chiefly from fingering and exact note length.
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