About this work
“46 Chorals (35-46)” makes transitions audible as events. cadences supports pedal; registration shifts chorale melody, then inner voices shifts a clear reading.
In this reading, accents shape units longer than a single bar. chorale melody supports cadences when you agree on articulation lengths before shaping dynamics.
In this reading, rehearse transitions out of context before reconnecting them. inner voices shifts registration; pedal shifts chorale melody and the direction remains continuous. This final group of chorales places the cantus firmus in several positions: upper part, inner voice or bass. Before choosing stops, identify the liturgical line and the intervals that bring it forward.
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