About this work
Though Amaryllis retains a dance step beneath its writing for several voices. The imitations do not interrupt that sway; they circulate the text and temporarily shift the foreground from one section to another.
Locate the cadences before working on the detail of the entries. They show where the lines converge and where a new phrase needs to restart with lighter articulation.
For the choir, unify vowels on long notes and let consonants provide the spring. Every voice needs to know when to advance and when to yield space without disappearing from the chord.
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