About this work
The first book establishes the foundations of velocity through regular figures and still legible hand positions. The aim is not to produce a stream of identical notes but to keep the hand supple while the harmony advances.
Locate chord changes and arrival notes before repeating a passage. Gently stressing those reference points helps the ear monitor genuine evenness rather than finger sensation alone.
Work in short spans with frequent pauses and an available wrist. Increase the tempo only when group endings remain clean; muscular tension must never provide the motor.
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