About this work
The second book requires more thumb passages and changes of position. Evenness then depends on preparing the shift: if the hand waits until the last note, an unwanted accent marks the seam.
Isolate the groups surrounding each passage and play their arrival note. A small rotation accompanies the motion better than forcing the thumb beneath an immobile hand.
Vary rhythms and articulations during slow practice, then return to the text without hardening. Speed must result from a simplified journey; always retain an audible bass and phrase direction.
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