About this work
The fourth book gathers the earlier skills in longer studies where managing form becomes essential. A figure may return in several keys; its function changes within the phrase and must not always retain the same weight.
Map the large sections, cadences and returns before fixing the tempo. This architecture provides recovery points and prevents attention from being lost in mechanical detail.
Prepare a working version slightly slower than your maximum speed. There you can control dynamics, bass and articulations; the final acceleration will retain a genuine musical argument.
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