About this work
The first Arabesque lets a supple line flow above figures that do not always divide time in the same way. Triplets and duple rhythms cross, yet the music needs to give the impression of a single breath.
Practise each layer separately, then combine them while listening to meeting points rather than every inner note. The melody will retain freedom above a regular accompaniment.
Clear, frequently renewed pedal will preserve the harmonic changes. Keep the fingers close to the keyboard in rapid figures and let phrase peaks determine the dynamic.
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