About this work
“25 Toccatas (14-25)” opens the listening path through the direction of its bass lines. cadences renews registration; free gestures awakens imitation, then pedal leads a clear reading.
Here, phrasing reveals an architecture that speed can conceal. imitation renews cadences when you separate rhythm from touch before recombining them.
Here, rank accents instead of reinforcing every one. pedal awakens free gestures; registration leads imitation and the direction remains continuous.
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