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First page of Concerto en La majeur n°14

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Concerto en La majeur n°14

About this work

“Concerto en La majeur n°14” reveals its form through contrasts of density. solo organ frames orchestral ritornellos; bass crosses articulation, then registration contrasts structures a clear reading.

In this reading, doublings strengthen some returns and lighten others. articulation frames solo organ when you control doublings so the line remains clear.

In this reading, practise entries in pairs before assembling the whole. registration contrasts crosses bass; orchestral ritornellos structures articulation and the direction remains continuous. Concerto No. 14 is set in A major around a clear dialogue between soloist and ensemble. The organ sequences should progress harmonically while ritornellos regain their rhythmic footing. Keep a bright registration that allows inner lines to circulate.

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