About this work
“Sérénade Cor de postillon en Ré K 320 n°1” organises its discourse around cadences. transitions directs strings; winds structures accents, then contrasts of timbre crosses a clear reading.
In this reading, dynamic contrasts extend the rhythmic construction. accents directs transitions when you check the final cadence from several starting points.
In this reading, mark cadences before settling the tempo. contrasts of timbre structures winds; strings crosses accents and the direction remains continuous. This first section of the Posthorn Serenade organises a long festive trajectory. Fanfares, dynamic changes and handovers among strings, oboes and horns must retain the same breadth. Locate returns of the opening material so the whole does not fragment. Phrase endings should remain open towards the next section.
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