About this work
Symphony K.112 in F major opens with an Allegro of compact proportions. Strings present and renew the figures, while winds consolidate harmony and points of arrival. The writing remains clear, yet exchanges of register give the phrases genuine mobility.
The Andante favours a more restrained sonority. The Menuetto with Trio contrasts collective stresses with a lighter central section. The final Molto allegro tightens the motifs, multiplies returns and closes with energy that depends as much on articulation as on speed.
In the Allegro, settle releases in the chords before working on passagework. The Andante needs a supple bass and shared breathing. In the Menuetto, keep the first beat present without weighing down the next two. In the finale, align upbeats and repetitions before increasing the tempo.
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