About this work
Symphony K.162 in C major follows the fast-slow-fast design of an Italian overture. The Allegro assai contrasts firm orchestral chords with more mobile string figures. Winds reinforce the answers and broaden cadences without interrupting momentum.
The Andantino grazioso reduces the density and favours supple lines. The final Presto assai returns to compact writing based on repetitions, changes of register and collective arrivals that give the score a very direct conclusion.
In the first movement, align tutti attacks before refining passagework. The Andantino needs an active pulse beneath its graceful character. For the Presto, first choose a speed at which every answer remains clear; the impression of liveliness will come from precise upbeats and silences.
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