8 Fugues on the Magnificat N°02 - Magnificat Secundi Toni

About this work

“8 fugues pour le Magnificat N°02 - Magnificat Secundi Toni” moves forward through handovers among the voices. articulation prepares subject; imitation renews independent voices, then cadences prepares a clear reading.

The bass often announces turns in the discourse. independent voices prepares articulation when you stabilise pulse without flattening points of breath.

Rehearse transitions out of context before reconnecting them. cadences renews imitation; subject prepares independent voices and the direction remains continuous.

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