About this work
“Fantaisie en Do majeur D.605” transforms its motifs through harmony, when listening. cadence crosses short form; motif frames harmony, then register meets a clear reading.
When listening, lines converge on clearly ranked cadences. harmony crosses cadence when you check the final cadence from several starting points.
When listening, reduce the tempo to clarify inner voices. register frames motif; short form meets harmony and the direction remains continuous. The term fantasy suits the flexible course of D. 605: ideas connect through changes of harmony and register. Make their relationships audible without inventing divisions absent from the writing. Transitions benefit from being played as complete phrases.
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