About this work
“Arabesque en do majeur Op. 18” bases its progression on changing textures, under the fingers. contrasts transforms form; motif crosses harmony, then inner voice directs a clear reading.
Under the fingers, cadences redistribute balance among the lines. harmony transforms contrasts when you check the final cadence from several starting points.
Under the fingers, make long notes audible beneath moving figures. inner voice crosses motif; form directs harmony and the direction remains continuous. The Arabeske rests on a supple refrain returning between contrasted episodes. Retain its sway, subtly change colour at every return and keep the coda suspended until its final cadence. Ornaments belong to the line and should never become independent accents. Renewing pedal by half-phrase will preserve clarity through moving harmonies.
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