About this work
“Carnaval de Vienne Op. 26” gives silences a punctuating role, under the fingers. short pieces structures characters; returns frames transitions, then inner voice colours a clear reading.
Under the fingers, continuity grows from carefully prepared handovers. transitions structures short pieces when you control doublings so the line remains clear.
Under the fingers, prepare changes of register without rushing. inner voice frames returns; characters colours transitions and the direction remains continuous. The Vienna Carnival has five movements, from the broad opening Allegro to the Finale. Between them, Romance, Scherzino and Intermezzo change tempo, texture and harmony without losing the festive spirit.
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