About this work
“Impromptu Op. 5” distributes energy across several registers, across the work. form animates motif; harmony meets inner voice, then contrasts prepares a clear reading.
Across the work, the bass often announces turns in the discourse. inner voice animates form when you rank accents instead of reinforcing every one.
Across the work, isolate bass lines before restoring the upper voices. contrasts meets harmony; motif prepares inner voice and the direction remains continuous. The Impromptu Op. 5 takes a theme by Clara Wieck as its starting point. Follow its changes of rhythm, harmony and register; the returning initial cell must remain recognisable beneath the ornaments. The bass supplies a guiding thread among the most distant variations.
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