About this work
“Kreisleriana Op. 16” places changes of register at the centre of the journey, under the fingers. returns colours transitions; inner voice colours short pieces, then characters frames a clear reading.
Under the fingers, progress depends on balancing motion with stability. short pieces colours returns when you listen to the bass during changes of texture.
Under the fingers, retain direction even through relaxed passages. characters colours inner voice; transitions frames short pieces and the direction remains continuous. The eight sections of Kreisleriana push the opposition between Florestan and Eusebius very far. Impetuous passages, lyrical retreats, syncopations and changes of texture must nevertheless form one shifting portrait. Practise fast sections in rhythmic cells before restoring their abrupt turns. In slow moments, pass the hidden voice between hands without thickening the accompaniment.
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