About this work
“Quatre fugues Op. 72” reveals its form through contrasts of density, under the fingers. articulation tempers subjects; independent voices awakens imitation, then cadence structures a clear reading.
Under the fingers, doublings strengthen some returns and lighten others. imitation tempers articulation when you reduce the tempo to clarify inner voices.
Under the fingers, measure silences as part of the phrase. cadence awakens independent voices; subjects structures imitation and the direction remains continuous. The four Fugues Op. 72 pass counterpoint through the Romantic piano. Separate subject, answer and countersubject, then use touch and dynamics to follow their entries without hardening the pulse.
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