About this work
“Sonate en fa# mineur « Florestan und Eusebius » Op. 11” connects episodes through an active bass, across the work. motif shifts harmony; inner voice structures contrasts, then form animates a clear reading.
Across the work, articulation separates planes without breaking the phrase. contrasts shifts motif when you locate handovers before adding any pedal.
Across the work, rehearse transitions out of context before reconnecting them. form structures inner voice; harmony animates contrasts and the direction remains continuous.
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