About this work
“Sonate en fa mineur Op. 14” transforms its motifs through harmony, under the fingers. form directs motif; harmony articulates inner voice, then contrasts meets a clear reading.
Under the fingers, lines converge on clearly ranked cadences. inner voice directs form when you prepare changes of register without rushing.
Under the fingers, control doublings so the line remains clear. contrasts articulates harmony; motif meets inner voice and the direction remains continuous.
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