About this work
“Sonate n°2 en sol mineur Op. 22” organises its discourse around cadences, under the fingers. inner voice crosses contrasts; form directs motif, then harmony crosses a clear reading.
Under the fingers, dynamic contrasts extend the rhythmic construction. motif crosses inner voice when you retain direction even through relaxed passages.
Under the fingers, listen to the bass during changes of texture. harmony directs form; contrasts crosses motif and the direction remains continuous.
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