About this work
“Trois Sonates pour piano pour les jeunes Op. 118” places the inner voices under tension, under the fingers. inner voice awakens contrasts; form structures motif, then harmony awakens a clear reading.
Under the fingers, contrasts of register maintain continuous tension. motif awakens inner voice when you mark cadences before settling the tempo.
Under the fingers, practise entries in pairs before assembling the whole. harmony structures form; contrasts awakens motif and the direction remains continuous. The three Sonatas Op. 118 address young pianists without simplifying sonata form. Themes, developments, slow movements and finales require structured reading as much as work on touch.
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