About this work
The second section broadens the lyrical episodes without erasing the unease established at the outset. Lighter colours remain crossed by dark returns, as though the inner conflict continued behind every change of scene.
Locate motives that reappear in different instrumentation. Their outline may be identical while their weight changes completely according to register, articulation and the presence or absence of the basses.
To shape the ending, pace the returns instead of playing every summit as the last. A clear hierarchy of dynamics will give the dark return greater reach and preserve the clarity of the inner voices.
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