About this work
The Sanctus launches two choirs into luminous counterpoint whose entries pursue one another at great speed. Its brilliance comes from rhythmic precision and the circulation of motifs, not from constantly maximum volume.
Rehearse entries in groups of voices, then superimpose them while retaining a common pulse. Coordinated consonants keep the text clear without interrupting lines or shortening sustained notes.
The orchestra needs to support attacks and cadences without masking the choral design. Keep articulation lively and prepare breaths so that the tempo does not tighten in the densest passages.
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