About this work
The second half of the Capriccio drives its dances towards an increasingly urgent tarantella. Returns are not simple copies: the orchestration redistributes lines, reinforces selected accents and gradually broadens the trajectory.
Locate the returns of the fast rhythm before following the most brilliant runs. That framework shows where the energy must restart and where a transition instead needs a little space to remain clear.
In rehearsal, work on joins rather than always restarting at the beginning of a section. Wind attacks, pizzicatos and string figures need the same spring so that speed continues to feel like dance.
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