Francesca da Rimini, Symphonic Fantasia after Dante, Op. 32 n°2

About this work

In this second section, the lovers’ song tries to broaden time before the whirlwind reclaims the music. The lyrical line remains fragile because harmonic tensions and rhythmic memories continue to move beneath it.

First find the voice carrying each long phrase, then listen to what the other sections retain in the background. The return of agitation will then sound prepared rather than attached after a calm episode.

Transitions require particular attention to note endings. A silence that is too short destroys expectation; a sustained sound that lasts too long blurs the new attack. Rehearse those thresholds before increasing the final tempo.

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