About this work
The third version joins the chorale, conflict and love theme within one continuous form. Its interest lies in their proportions: each idea receives a precise space yet returns marked by everything that has happened in between.
Make a map of the principal returns before entering the detail of the runs. It will show how transitions shorten or widen the distance between the musical characters and where changes of key alter their light.
In the orchestra, build layers of sound rather than a succession of blocks. Agitated accompaniments must remain audible without covering the line; the final chorale benefits from retaining a simple gravity.
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